Even the sun-clouds this morning cannot manage such skirts.
Nor the woman in the ambulance
Whose red heart blooms through her coat so astoundingly –
A gift, a love gift
Utterly unasked for
By a sky
Palely and flamily
Igniting its carbon monoxides, by eyes
Dulled to a halt under bowlers.
Oh my God, what am I
That these late mouths should cry open
In a forest of frosts, in a dawn of cornflowers.
Sylvia Plath (27 October 1962)
Analysis …
Nothing in sun and sky can match the poppy skirts (petals) in their colour … nor the woman (reference to herself) in the ambulance whose red heart is amazingly kept alive ... the woman close to death … others not so lucky ... she has been rescued and will survive.
This late showing is out of context with the season … and is a gift unasked for …and in this regard, SP could be talking about her astoundingly good luck in surviving her earlier suicide attempt … her red heart did bloom … how come she was saved? … how come she was given a second chance? … SP did not ask for this … to be re-born … at least she acknowledges this gift as a 'love-gift' ... even if she is not thankful.
… the medicos that saved her did not know her … see her red passion, her emotional state … how could they … they wear bowler hats … head-centric on their work
… and then the lament of not knowing who she is … the poppy in October … out of context … but still alive … she cries aloud for some understanding … why should she be alive in a ‘forest of frosts’ (in a deep tangle where growth is unlikely - how she saw her life) and in a ‘dawn of cornflowers’ (emerging against the bland mass of the common ... a little arogance perhaps)
Note ... this poem was written on SP’s last birthday (27 Oct 1962) … her 30th birthday … at a time when she was living by herself (with the two children) in London – separated from Ted Hughes … she also wrote another poem ‘Ariel’ on the same day … so she had time to herself on this day to devote to poetry … and to question her existence … to question why she has survived out of season (like the poppy) … and to ask why she is still alive … and inferred - why is live so hard … it is a cry for an explanation from the deep intensity of her being for a meaning in her troubled world ... questioned in a state of mental unrest.
… and whether any physical poppies were around on this her birthday is open to question … they could be mind-poppies … (refer also to a previous poem ‘Poppies in July’ written in Devon in the summer … when times were different.)
Here is a link to a recommended Site with 10 years of discussion material on the work of Sylvia Plath …
... and here is a poppy from the Australian spring flair taken at a recent open garden, a poppy very much in season ...
Footnote ...
Here is the text of the interview with Sylvia Plath by Peter Orr (of the British Council) - recorded on 30 October 1962 (just after her 30th birthday) ... Interview Sylvia Plath 30 Oct 1962
really nice attempt:]
ReplyDeletethis article has given me some understanding of this poem thank i thank you very much
ReplyDeleteits great
ReplyDeletegood.you did a great job.it is so helpful to understand the poem.
ReplyDeletecan you explain the third stanza please?
ReplyDeleteSP is a poppy out of context … a survival from her earlier suicide attempt … and poppies like plants destroy the poison of carbon monoxide … her ‘self-poison’ like-wise was destroyed when she was discovered in the cellar and rescued
ReplyDeleteA mumbling and grumbling nothing clear
ReplyDeleteNothing to charm the musical ear
The dull discord of death is here.
Of stillborn things the poet sings
Nuclear winters and silent springs